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CELPIP Reading Practice Test 15

By Iris

A complete CELPIP Reading practice test: all 4 parts and 38 questions in the real test order. Set a timer for 55–60 minutes and do all four parts in one sitting. Check your answers at the bottom of the page to see your score and an estimated CLB.

Questions
38
Parts
4
Time
about 55–60 minutes

In this test

  1. Part 1: Reading Correspondence, “Summer Camp Registration” (questions 1–11) · practise this part alone
  2. Part 2: Reading to Apply a Diagram, “Virtual Language Learning Sessions at LinguaNet Academy” (questions 12–19) · practise this part alone
  3. Part 3: Reading for Information, “Green Transportation Policies” (questions 20–28) · practise this part alone
  4. Part 4: Reading for Viewpoints, “Digital Art Versus Traditional Art Creation” (questions 29–38) · practise this part alone

Part 1: Reading Correspondence

Dear Esteemed Parents,

I’m delighted to announce that enrollment for our summer encampment commences next week, spanning July 5th to 30th! The tariff is set at $300 per young adventurer for the full four-week odyssey, encompassing a medley of alfresco pursuits and artisanal endeavors. Before we solidify this, I’d cherish your counsel—does this sum resonate as equitable, or might we augment it with a per-week alternative for those seeking shorter stints? We’re also considering sibling discounts if multiple progeny from one hearth join us—any musings on that notion?

The encampment operates daily from 9 a.m. to 3 p.m.—would an extension to 5 p.m. better serve your logistical needs, perhaps easing the juggle of work and family? Furthermore, what particular engagements would your offspring relish? We’ve slated ambulatory treks through nature and artistic crafting thus far, but I’d wager there’s a trove of ideas yet untapped—perhaps music or stargazing? Oh, and a final ponderance—ought we to delimit participation to 20 campers for a cozier cohort, or fling wide the gates to all comers?

Your swift reflections would be a boon—I’m ardent to weave your wisdom into our tapestry!

Cordially,

Ms. Carter (Camp Director)

  1. Ms. Carter is emailing about…

  2. The encampment costs…

  3. Ms. Carter inquires about pricing to…

  4. Extended hours are proposed for…

  5. Activities cited include…

  6. The cap query pertains to…

Here is a response to the message. Complete the response by filling in the blanks. Select the best choice for each blank.

Dear Ms. Carter,

I’m positively agog at the prospect of your summer encampment—$300 for the full span sits well with me, though would sweeten the pot for families with varied plans. Prolonging hours to 5 p.m. would be a godsend dovetails neatly with my workday’s end and spares me a frantic dash. My Jake’s mad for crafting tickles his fancy to no end, though he’d not scoff at a hike either. I’d counsel capping it at 20 souls fosters a tighter-knit revelry that keeps the spirit high! Pray advise if .

Cordially,

Parent of Jake

Part 2: Reading to Apply a Diagram

LinguaNet Academy offers immersive virtual language learning sessions tailored to your needs. Join our expert-led courses to master a new language from the comfort of your home. Below are our offerings for Spring 2026:

Beginner Spanish

Schedule
Mondays & Wednesdays, 6:00 PM–7:30 PM (EST), January 6–March 26
Cost
$250 for 12 weeks (24 sessions)
Description
Learn basic vocabulary, grammar, and conversational skills. Ideal for travelers or new learners.
Booking
Register online at www.linguanetacademy.com by December 30.
Notes
Online registration only. Membership discounts available (10% off for annual members). Requires stable internet and Zoom.

Intermediate French

Schedule
Tuesdays & Thursdays, 7:00 PM–8:30 PM (EST), January 7–March 27
Cost
$300 for 12 weeks (24 sessions)
Description
Enhance fluency with complex grammar and cultural discussions. Prerequisite: Basic French or placement test.
Booking
Secure your spot at www.linguanetacademy.com. Deadline: December 31.
Notes
Arrive 10 minutes early for tech setup. Free trial class on January 2.

Advanced Mandarin

Schedule
Saturdays, 10:00 AM–12:00 PM (EST), January 11–April 5
Cost
$350 for 12 weeks (12 sessions)
Description
Focus on advanced conversational skills, business terminology, and cultural nuances.
Booking
Limited spots; register by January 3 at www.linguanetacademy.com.
Notes
Webcam required. Discounts for early registration (5% off before December 20).

Group Conversation Circles (Multilingual)

Schedule
Fridays, 5:00 PM–6:00 PM (EST), ongoing
Cost
$15 per session or $120 for 10 sessions
Description
Practice any language with native speakers in a casual setting.
Booking
Book weekly at www.linguanetacademy.com. No deadline.
Notes
Maximum 8 participants per session. Cancel 24 hours in advance for refunds.

***Additional Information:

All classes use Zoom with interactive tools.

Membership ($50/year) offers discounts and priority registration.

Contact [email protected] for placement tests or inquiries.

Technical requirements
High-speed internet, headset, and updated Zoom app.

Read the following email message. Complete the email by filling in the blanks. Select the best choice for each blank.

Dear LinguaNet Academy Team,

I am interested in enrolling in your virtual language learning sessions for Spring 2026 but have some questions about your offerings. Your flyer mentions a variety of courses, but I’m unsure which best suits my needs. I’m particularly drawn to the Intermediate French course, as I have some prior knowledge, though I’m concerned about the required for enrollment. Could you clarify what this entails and whether it’s rigorous?

Additionally, the pricing for the Advanced Mandarin course seems steep compared to the Beginner Spanish course. Is the cost justified by , or are there hidden fees I should be aware of? I also noticed the Group Conversation Circles, which seem appealing for flexible practice. However, the flyer’s mention of raises questions about accessibility for someone with a busy schedule.

I’d like to know if the membership discount applies to all courses and whether it’s worth the . Finally, the note about arriving 10 minutes early for tech setup in some classes seems inconvenient. Is this strictly enforced, or is it more of a to ensure smooth sessions?

Thank you for your assistance. I look forward to your response to make an informed decision.

Best regards,

Alex Thornton

  1. What is the primary tone of Alex’s email when addressing the pricing of the Advanced Mandarin course?

  2. Based on the flyer and email, what can be inferred about Alex’s unstated intention in mentioning the Group Conversation Circles?

  3. How does the flyer’s presentation of technical requirements reflect its intended audience’s needs?

Part 3: Reading for Information

A

Green transportation policies aim to reduce carbon emissions by promoting eco-friendly travel options. Cities like Amsterdam have expanded bike lanes, making cycling a primary mode of transport for 40% of residents. Electric vehicle (EV) subsidies encourage drivers to switch from gasoline cars. These policies improve air quality but require significant public funding. Some residents resist change, citing high EV costs despite incentives. Awareness campaigns are now addressing these concerns to boost adoption.

B

Public transit is a cornerstone of green transportation. Cities are replacing diesel buses with electric ones, cutting emissions by up to 50%. For example, Shenzhen, China, operates a fully electric bus fleet. Upgrading transit systems creates jobs but can disrupt services during construction. Fare subsidies also make public transit more accessible to low-income groups. Partnerships with private firms help speed up these upgrades. These efforts aim to make cities more livable.

C

Congestion pricing is gaining traction in green transportation policies. Cities like London charge drivers to enter busy zones, reducing traffic by 15%. Revenue from these fees funds transit improvements, creating a cycle of sustainability. However, small businesses worry about delivery costs rising. Public acceptance varies, with some drivers feeling unfairly targeted. City planners are exploring exemptions for essential services. This balance seeks to maintain economic vitality.

D

Green policies face challenges in rural areas. Sparse populations make public transit less viable, leaving residents reliant on cars. Some regions offer carpooling apps to reduce vehicle numbers, but adoption is slow. Infrastructure for EV charging stations is also limited outside cities. Governments are exploring mobile charging units to bridge this gap. Pilot programs are testing their feasibility. Community feedback is shaping these rural solutions.

Decide which paragraph, (A) to (D), has the information given in each statement below. Select (E) if the information is not given in any of the paragraphs.

  1. Amsterdam promotes cycling with expanded bike lanes.
  2. Green transportation policies eliminate all air pollution.
  3. Shenzhen has a fully electric bus fleet.
  4. Congestion pricing reduces traffic in London.
  5. Rural areas have extensive public transit systems.
  6. EV subsidies encourage drivers to switch to electric cars.
  7. Small businesses support congestion pricing policies.
  8. Carpooling apps are used in rural areas.
  9. Public transit upgrades create jobs.

Part 4: Reading for Viewpoints

The advent of digital tools has sparked a lively debate over digital versus traditional art, each offering unique creative possibilities. In Berlin, a global art hub, artists and critics share diverse perspectives on these mediums. Dr. Anna Kessler, an art historian, champions digital art for its versatility. “Digital platforms allow rapid experimentation and seamless edits, ideal for commercial design,” she says. However, she notes that screens can feel less tactile than physical mediums. In contrast, Lukas Weber, a traditional painter, defends classic methods. “The texture of canvas and paint creates an emotional depth that digital can’t replicate,” he argues, though he admits the process is time-intensive.

Meanwhile, Sofia Lehmann, a freelance illustrator, blends both approaches. “I sketch ideas on paper for their raw energy, then refine them digitally for precision,” she explains. She values their synergy but finds digital software costly. Conversely, Max Richter, a 3D animator, relies solely on digital tools. “They’re limitless—perfect for animations and global sharing—while traditional art feels outdated,” he claims, though he acknowledges connectivity issues in remote areas. A 2024 Global Art Trends Report highlights these dynamics, noting that digital art sales grew 30% last year, yet 60% of collectors prefer traditional works for their tangible authenticity.

Critics of digital art cite its dependence on technology, while traditional art faces scrutiny for its messiness and storage challenges. Art curator Elena Braun offers a balanced view: “Digital art expands access and innovation, but traditional art preserves cultural depth. Galleries should showcase both to enrich the art world.” The choice between digital and traditional art depends on creative goals, technical access, and audience engagement, with no definitive winner.

  1. Why does Dr. Kessler prefer digital art?

  2. What does Lukas Weber highlight as a strength of traditional art?

  3. How does Sofia Lehmann approach art creation?

  4. What does Max Richter criticize about traditional art?

  5. According to Elena Braun, what should galleries do?

The following is a comment by a reader. Complete the comment by choosing the best option to fill in each blank.

As an artist exploring both mediums, I find digital art for its flexibility, aligning with Dr. Kessler’s view on experimentation. However, Lukas’s emphasis on traditional art’s resonates when I seek emotional connection in my work. Sofia’s hybrid approach by balancing raw creativity with polished outcomes. Still, Max’s digital-only stance since traditional art’s tactile charm endures. Curators should both mediums to inspire diverse audiences, ensuring art remains vibrant and inclusive.

0 of 38 answered

Answer key

Show all 38 answers
  1. Ms. Carter is emailing about… A. enlistment for a summer retreat.
  2. The encampment costs… C. $300 for the month.
  3. Ms. Carter inquires about pricing to… B. tailor the offerings.
  4. Extended hours are proposed for… B. parental ease.
  5. Activities cited include… C. ambulatory treks.
  6. The cap query pertains to… B. the assembly’s magnitude.
  7. A. a hebdomadal tariff
  8. B. this stretch
  9. D. this craft
  10. C. a modest band
  11. B. further insight be sought
  12. A. placement test
  13. B. specialized content and expertise
  14. B. weekly booking requirement
  15. A. annual fee
  16. C. recommended guideline
  17. What is the primary tone of Alex’s email when addressing the pricing of the Advanced Mandarin course? B. Skeptical and inquisitive
  18. Based on the flyer and email, what can be inferred about Alex’s unstated intention in mentioning the Group Conversation Circles? D. To explore flexible options due to scheduling constraints
  19. How does the flyer’s presentation of technical requirements reflect its intended audience’s needs? D. It prioritizes accessibility for tech-savvy learners.
  20. Amsterdam promotes cycling with expanded bike lanes. A
  21. Green transportation policies eliminate all air pollution. E
  22. Shenzhen has a fully electric bus fleet. B
  23. Congestion pricing reduces traffic in London. C
  24. Rural areas have extensive public transit systems. E
  25. EV subsidies encourage drivers to switch to electric cars. A
  26. Small businesses support congestion pricing policies. E
  27. Carpooling apps are used in rural areas. D
  28. Public transit upgrades create jobs. B
  29. Why does Dr. Kessler prefer digital art? B. It offers versatility and easy edits.
  30. What does Lukas Weber highlight as a strength of traditional art? C. It provides emotional and tactile depth.
  31. How does Sofia Lehmann approach art creation? A. She combines traditional and digital methods.
  32. What does Max Richter criticize about traditional art? B. It is outdated and less versatile.
  33. According to Elena Braun, what should galleries do? B. Showcase both digital and traditional art.
  34. B. innovative
  35. C. authentic texture
  36. D. enhances versatility
  37. C. overlooks traditional depth
  38. B. promote

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